14 posts tagged “antebellum”
Below is a list of my ten favorite political thrillers from the past 70 years. By the way, there are no James Bond, Derek Flint, Jason Bourne or Tom Clancy films on this list:
Ten Favorite POLITICAL THRILERS
"Foreign Correspondent" (1940) - This superb Alfred Hitchcock told the story of an American reporter (Joel McCrea) who tries to expose enemy spies in England during a series of events involving a continent-wide conspiracy that eventually leads to the events of a fictionalized Second World War. It starred McCrea and featured Laraine Day, Herbert Marshall, George Sanders, Albert Bassermann and Robert Benchley, along with Edmund Gwenn.
"Notorious" (1946) - This Alfred Hitchcock movie, which is a personal favorite of mine, is about two people - an American intelligence agent and the daughter of a convicted Nazi spy - whose lives become intimately entangled during an espionage operation in South America to infiltrate a group of Germans who have relocated to Brazil after World War II. The movie starred Cary Grant, Ingrid Bergman and Claude Rains.
"The Tall Target" (1951) - A discredited New York City detective tries, in the face of disbelievers, to foil a plot to assassinate Abraham Lincoln as he travels on the Ohio & Baltimore Railway to his inauguration in 1861. The movie starred Dick Powell, Paula Raymond, Adolphe Menjou, Marshall Thompson and future Oscar nominee, Ruby Dee.
"The Manchurian Candidate" (1962) - The original, and in my opinion, the best version of Richard Condon's 1959 novel about the son of a prominent, right-wing political family that has been brainwashed as an unwitting assassin for an international Communist conspiracy. Starred Frank Sinatra, Laurence Harvey, Janet Leigh, James Gregory and a superb Angela Landsbury, who was nominated for her performance as Harvey's manipulative mother.
"The Day of the Jackal" (1973) - Edward Fox starred in this excellent thriller based upon Fredrick Forsyth's 1971 novel about an assassin known only as "the Jackal", who is hired by French right-wingers to assassinate Charles de Gaulle in 1963. Michael Lonsdale co-starred as the French Police Commissioner assigned to stop him.
"The Peacemaker" (1997) - George Clooney and Nicole Kidman portray a U.S. Army intelligence colonel and his civilian supervisor who track down stolen Russian nuclear weapons before they are used by terrorists. This stylish film was directed by Mimi Leder.
"Ronin" (1998) - Directed by John Frankenheimer, this exciting and first-rate thriller starred Robert De Niro and Jean Reno as two of several former special forces and intelligence agents who team up to steal a mysterious, heavily guarded suitcase while navigating a maze of shifting loyalties and alliances.
"Thirteen Days" (2000) - Roger Donaldson directed this historical thriller about the Cuban Missle Crisis through the eyes of President John F. Kennedy, Robert F. Kennedy, Kenneth O'Donnell and other members of the Kennedy Administration. An excellent historical piece that starred Kevin Costner as O'Donnell, Bruce Greenwood as JFK and Steven Culp as Bobby Kennedy.
"Munich" (2005) - Steven Spielberg directed this superb, yet controversial Oscar nominated film about a semi-fictionalized account of the Israeli government's secret retaliation against the 1972 Munich massacre of Israeli Olympic athletes by Black September gunmen. The film starred Eric Bana, Daniel Craig, Ciarán Hinds, Mathieu Kassovitz, Hanns Zischler, Geoffrey Rush, Ayelet Zurer, Mathieu Amalric and Michael Lonsdale.
"Vantage Point" (2008) - Despite its mixed reception by critics, I truly enjoyed this unique movie about an assassination attempt on a U.S. president in Salmanca, Spain; during a 23-minute period. Told in a time loop from the perspective of different characters, this movie starred Dennis Quaid, Matthew Fox, Forrest Whittaker, William Hurt and Sigourney Weaver.
”MANDINGO” (1975) Video Excerpts
Below are video clips from the 1975 melodrama, "MANDINGO". Based upon Kyle Oscott's 1957 novel, the movie was directed by Richard Fleischer:
And here are two excerpts from the 1976 follow-up - ”DRUM” (1976):
WARNING: Sexual situations and brief nudity
Here is a television movie trailer for the 1975 movie, "MANDINGO":
"NORTH AND SOUTH Trilogy" - Certain Topics
In the past, there have been questions regarding plot points for the three miniseries of the "NORTH AND SOUTH" Trilogy. I thought I would clear up a few matters.
Elkhannah Bent's Survival Following Fight with Orry Main
Some "NORTH AND SOUTH" fans have wondered how Elkhannah Bent (Philip Casnoff) had survived his fight with Orry Main (Patrick Swayze) in the second book, "Book II - Love and War". In the second novel, Orry and Bent had some sort of fight near the James River that ended when Orry shoved the latter over the falls and (at least I thought) to his death. Imagine my surprise when I read "Book III - Heaven and Hell" and saw that Bent never died after all. He ended up in an army hospital in Richmond.
In the second miniseries, North and South - Book II", Bent rushed inside that warehouse just before it blew up. I thought that was the end of that bugger - until I read the novel, "Heaven and Hell" one year later. When the miniseries, "Book III - Heaven and Hell" finally aired, Bent was alive at the beginning of the first, although scarred. How he had survived that explosion, I don't know. After Bent killed Orry, he and Ashton Main Huntoon (Terri Garber) quarrelled. Bent had said the wrong thing to Ashton and she did to him, what Orry did in the book - shoved him over the falls and into the James River. And just as in the book, Bent ended up in an army hospital, crazy as ever.
Orry's Swordsmanship in Book I
I must admit that I had a problem with Orry defeating Bent in that brief sword fight in Part I of the first miniseries. Especially since Orry was described as not being a talented swordsman. I had asked several people about sword fighting and according to them, brains and a solid understanding of strategy are required to be a good swordsman.
Since Orry was never that great with his studies (including military subjects), I never saw how he was able to defeat Bent, who was. The explanation that Patrick Swayze (who portrayed Orry) happened to be an excellent dancer did not seem much of an excuse. Nor did it seem like a good excuse to include that scene in the miniseries. This does not mean that all Northern cadets made better swordsmen than Southern cadets. After all, I can think of a good number of Southerners who had excelled academically at West Point - including Robert E. Lee, Pierre Beauregard and Porter Alexander.
Hanging in Book III
In the third miniseries, one of the characters - an ex-slave named Issac (Stan Shaw), ended up hanged by the local Ku Klux Klan. A "NORTH AND SOUTH" fan had believed that a similar hanging had taken place in the third novel, "Heaven and Hell". I am here to say that no such hanging scene in the third novel. Issac's literary counterpoint in the third novel turned out to be a former Mont Royal slave named Andy Sherman. Andy ended up being killed during the Klan's attack upon Mont Royal. Ironically, Andy's counterpoint in the second miniseries, was Ezra (Beau Billingslea), who happened to be in love with Semiramis (Erica Gimpel).
Mortgage on Mont Royal
In both the first novel and the first miniseries, Orry had put Mont Royal on mortgage, so he could pay back George for: a) the funds George gave to the Mains for construction of a steamship in the novel; and b) George's investment in a cotton mill he co-owned with Orry in the miniseries. For those who do not know, the character of Cooper Main - Orry's older brother - appeared in all THREE novels. However, the producers had decided to cut out his character in the first two miniseries. When Cooper finally appeared in Book III (in the form of Robert Wagner), the writers explained that he was the one who held the mortgage on Mont Royal. Where he had been all this time, they never bothered to explain. A moment of sloppy writing, if you ask me.
If you have any further questions regarding the plots of Jakes' three novels or the three miniseries, please do not hesitate to ask.
Second Look: "MANDINGO" (1975)
About thirty-three years ago, Paramount Pictures released an adaptation of Kyle Onscott’s 1957 novel of the Old South, ”MANDINGO”. This movie, which has developed a reputation as lurid, exploitive and racist, is considered to be one of the worst films to be released in the 1970s. Directed by Richard Fleischer, it starred Perry King, Ken Norton, James Mason, Brenda Sykes, Susan George and Ben Masters.
However, there are recent film critics who refuse to dismiss ”MANDINGO” as simply lurid trash. They contend that despite its melodramatic tone, the movie offered a portrait of the antebellum South that may have been a lot more accurate than shown in Hollywood movies before or since. I have found an article on the movie you might find interesting:
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Also included are photos from the movie:
"MANDINGO" Photo Gallery
"GONE WITH THE WIND" (1939) Review
About a month ago, I had come across an article that provided a list of old classics that the author felt might be overrated. One of those movies turned out to be the 1939 classic, ”GONE WITH THE WIND”. Not only did the author accuse the movie of being both racist and sexist, he also claimed that the movie had not aged very well over the past 69 years.
Did I agree with the author? Well, let me put it this way. I would say that "GONE WITH THE WIND" has managed to withstand the tests of time . . . to a certain extent. As the author had pointed out, the sexism and racism are obvious and rather off-putting. The slaves came across as too servile for my taste. And although the slave Prissy was not the only dimwitted character in the story (think of Aunt Pittypatt, the Tarleton brothers and Charles Hamilton), she had the bad luck to spout that unfortunate line that must have been the bane of actress Butterfly McQueen’s life - ”Miz Scarlett, I know nothin’ bout birthin’ no babies.”. And the sexism was no better. I found Rhett’s determination to view Scarlett as his own personal child bride rather distasteful – along with his act of marital rape. But if I must be honest, I have seen movies that are just as bad or even worse. I had once seen ”GONE WITH THE WIND” at one of my local movie theaters when it had been re-released to celebrate its 50th anniversary in 1989. The first half of the film struck me as being well-paced and filmed. The dialogue sparkled and Vivian Leigh and Clark Gable, and the rest of the cast could not have been better. I could not say the same for the film’s second half.
The real problem with ”GONE WITH THE WIND” manifested in Part Two. Once Scarlett married Rhett . . . the movie simply fizzled. Oh sure, it had its iconic moments – Scarlett appearing at Ashley’s birthday party in the infamous red dress and Bonnie Blue Butler’s death. Unfortunately, it did not take me very long to fall asleep . . . even before poor Bonnie Blue’s death. I managed to wake up in time to witness Hattie McDaniel's brilliant monologue on the decline of Butlers' marriage. I do not think one can really blame the movie's credited screenwriter, Sidney Howard and the screenwriters who worked on the project. Margaret Mitchell's novel has the same problem as the movie. Namely, it started brilliantly and ended with me crying in despair for the story to end. I suspect that Selznick had decided not to risk earning the fans' ire by refraining from changing the novel's structure too much.
And the main reason why ”GONE WITH THE WIND” threatened to fizzle out in the end? Quite frankly, the story seemed unable to maintain the same pace throughout the film. Even worse, this seemed to have turned ”GWTW” into a movie with conflicting genres. I do not know whether to list it as a historical drama or a costumed melodrama. Most of the movie seemed like a historical drama – especially the first half that ends with Scarlett’s return to Tara. But once Scarlett’s second husband - Frank Kennedy – was killed during the Shantytown attack sequence, the movie became a costumed melodrama. This change in genre not only made the movie seemed slightly schizophrenic, it nearly grounded its pacing to a halt.
But . . . despite its political incorrectness and the dull last hour of the film, ”GONE WITH THE WIND” still managed to hold up pretty well. Despite being nearly 70 years old.
Second Look: "THE BLUE AND THE GRAY" (1982)
In 1982, CBS television aired a three-part miniseries about the experiences of two families during the Civil War. Sounds familiar? It should, for John Jakes had wrote something similar in three novels between 1982 and 1987 – namely the ”NORTH AND SOUTH” Trilogy. Jakes’ novels were adapted for television in 1985, 1986 and 1994. However this miniseries was produced by Larry White and Lou Reda. And despite the mildly similar theme to the ”NORTH AND SOUTH” saga, there are some vast differences.
”THE BLUE AND THE GRAY” had not been based upon any particular novel or series of novels. Instead, it was based upon a story concept by Bruce Catton, a famous historian who had written a book on the Civil War with the same title. As I had stated before, the miniseries told the story of two families and their experiences between 1859 and 1865. The two families in question are the Geysers and the Hales. The Geyers and the Hales are linked by two sisters portrayed by Colleen Dewhurst and Diane Baker. Although the miniseries revealed the families’ experiences via many characters, the two main characters in the story are John Geyser (John Hammond), who is the third son of the Virginia Geysers and Jonas Steele (Stacy Keach), a former Pinkerton agent and abolitionist who befriends John and marries the latter’s Pennsylvania cousin, Mary Hale (Julia Duffy).Many sagas about the Civil War – especially those on television – tend to focus upon wealthy families or those from exclusive families. Prime examples of this would be ”GONE WITH THE WIND”, the ”NORTH AND SOUTH” Trilogy, ”BEULAH LAND” and ”LOUISIANA”. ”THE BLUE AND THE GRAY” took another route in which its main characters hailed from a middle-class background. The patriarchs of the two families seemed to reek of the middle class. As I had earlier pointed out, John Geyer’s father was a middling farmer named Ben Geyser (Lloyd Bridges). And his uncle by marriage – Jacob Hale Sr. (Robin Gammell) – happens to be the owner and editor-in-chief of a small newspaper in Gettysburg, Pennsylvania.
Even after twenty-six years, I still enjoy ”THE BLUE AND THE GRAY”. It has not lost its allure one bit. It rarely played footloose with history. And aside from the miniseries’ last fifteen to twenty minutes, it managed to maintain a brisk pace despite being at least eight (8) hours. The two leads – John Hammond and Stacy Keach managed to create an excellent chemistry and it was easy to view the pair as close friends. And both men were ably supported by a first-class cast. But amongst them, I was especially impressed by the performances of Julia Duffy as Mary Hale – John’s cousin and Jonas’ wife; Brian Kerwin as Malachy Hale, Mary’s oldest brother; Cooper Huckabee as Matthew Geyser, John’s oldest brother; Dan Shor as Luke Geyser, John’s irrepressible younger brother; and Gerald S. O'Loughlin as the Hale brothers’ sergeant, O’Toole. I also have to commend upon Gregory Peck’s steady, yet humorous take on Abraham Lincoln and Sterling Hayden for refraining from an over-the-top performance, while portraying abolitionist John Brown.
Someone once complained that the battle sequences in ”THE BLUE AND THE GRAY” came off as rather bloodless. I found this complaint a little ridiculous, considering that this story was presented as an eight-hour television miniseries, rather than a theatrical movie. Besides, I saw plenty of blood in the miniseries. But two of the most chilling scenes in ”THE BLUE AND THE GRAY” barely featured any blood:
*John Geyser’s brother Mark (Michael Horton) found himself badly wounded during the Battle of the Wilderness, while the woods surrounding him burn from shellfire.
*John’s close friend, a free black named Jonathan Henry (Paul Winfield), is lynched for helping two runaway slaves by a local slave patrol led by a fanatical pro-slavery preacher (Warren Oates). What is amazing about this scene is that it happened partially off screen.
As much as I like ”THE BLUE AND THE GRAY”, it does have its flaws. My main complaint about the miniseries has a lot to do with the vast number of extras and minor characters in the story. Granted, there are some minor characters portrayed by veteran character actors like Rory Calhoun, Christopher Stone, Julius W. Harris and Geraldine Page. Unfortunately, their presence could not hide the number of amateur . . . or should I say very untalented actors and actresses in minor roles. A prime example would be a nameless actor who portrayed a patriotic Union officer that John Geyser met at the Willard’s Hotel. And there was the actor who portrayed Confederate general Barnard Bee, whose declaration of a famous line was at best hammy. I have no idea why producers White and Reda had hired these people in the first place. Perhaps they were desperate to fill as many roles as possible.
Another problem I had was the romance between John Geyser and the daughter of a Massachusetts senator named Kathy Reynolds, portrayed by Kathleen Beller. Quite frankly, they made quite a boring pair. There is nothing more boring than a couple consisted by two people inclined to be reserved. Superficially, they looked cute. Individually, both John Hammond and Beller gave very solid performances. But as an on-screen romantic pair . . . they bored the pants off me.
But ”THE BLUE AND THE GRAY” had some memorable scenes. Two of them featured actor Cooper Huckabee. Portraying the oldest Geyser sibling Matthew, I believe that he gave the best performance. And Huckabee had the opportunity to shine in the following scenes:
*A brief, yet emotional reunion between Matthew and John Geyser (Hammond) in the lines right outside Vicksburg, Mississippi.
*Matthew’s death, following a minor battle at the Geyser Farm (beautifully acted by Huckabee).
And there were other memorable scenes, as well. There was what I consider to be the two funniest in the entire miniseries – namely Malachai Hale’s hilarious encounter with a Confederate soldier, while both were trying to hide from a battle; and the barn dance behind enemy lines that the Hale brothers and John Geyser had attended at the invitation of John’s younger brother Luke (Dan Shor), a mischievous Confederate soldier. The latter scene also featured Canadian actor Duncan Regehr (”Zorro”) as a Confederate officer, affronted at the idea of two Union soldiers and a correspondent behind enemy lines at a barn dance. I also enjoyed the scene featuring the Hale family witnessing a speech by President-elect Lincoln at a whistle stop in Southern Pennsylvania. And both the lynching of Jonathan Henry and the entire Battle of the Wilderness sequence seemed both poignant, yet too harrowing to believe.
It seems a shame that ”THE BLUE AND THE GRAY” is barely mentioned by film critics or fans in regard to Civil War movies in the theaters or television. Quite frankly, it is one of the better ones I have ever seen. It gave a view of the late antebellum period and the Civil War through the eyes of the masses rarely seen in movies like ”GONE WITH THE WIND” or the ”NORTH AND SOUTH” trilogy. I heartily recommend it.
Below is a gallery of photos and publicity stills from the 1939 classic, "GONE WITH THE WIND", from the following two links:
"Tomorrow Is Another Day"
and "Scarlett Online":
"GONE WITH THE WIND" Photo Gallery
Below are photos from the 2005 miniseries produced by Steven Spielberg called "INTO THE WEST". The miniseries starred Matthew Settle, Tonantzin Carmelo, Rachel Leigh Cook, Irene Bedard, Skeet Ulrich, Daniel Gilles, Michael Spears, Tyler Christopher, Christian Kane, Keri Russell and Zahn McClarnon:
"INTO THE WEST" Photo Gallery
