Below is my review of the new movie, "STAR TREK", directed by J.J. Abrams:
”STAR TREK” Review
Many fans of the ”STAR TREK” franchise seemed to be in agreement that its last television series - ”ENTERPRISE” (2001-2005) - had more or less killed the franchise. That opinion proved to be false with the release of its latest film – ”STAR TREK”, directed by J.J. Abrams.
Not to be confused with Robert Wise’s 1979 movie, ”STAR TREK: THE MOTION PICTURE”, this latest installment in the franchise is about the early years of the U.S.S. Enterprise NCC-1701 from ”THE ORIGINAL SERIES” (1966-1969). In other words, the movie is about how James T. Kirk became captain of the Enterprise and Spock, its first officer. What made this particular story unique is that the film’s opening sequence – an attack upon the Federation starship, U.S.S. Kelvin in 2233 led to an alternate timeline for the rest of the film.
When a supernova threatened the galaxy in 2387 (nine years after the U.S.S. Voyager’s return to Earth), Ambassador Spock piloted a ship carrying "red matter" that can create a gravitational singularity, drawing the supernova into a black hole. Before Spock completed his mission, the supernova destroyed the planet Romulus. Captain Nero (Eric Bana) of the Romulan mining ship Narada blamed Spock and the Federation for his planet’s destruction and its inhabitants, which included his wife and unborn child; and attempted to exact revenge on Spock. But both ships are caught in the black hole's event horizon and travel to different points in the past. The Narada arrived first in 2233 and attacked the Kelvin. The attack resulted in the death of the Kelvin’s commander, Richard Robau (Faran Tahir) and first officer Lieutenant George Kirk (Chris Hemsworth); and James T. Kirk’s (Chris Pine) birth aboard a shuttle fleeing from the damaged starship. The rest of the movie featured both Kirk and Spock’s (Zachary Quinto) early years, their subsequent first meeting at Starfleet Academy and their clashes aboard the U.S.S. Enterprise, commanded by Captain Christopher Pike (Bruce Greenwood). Meanwhile, Nero has survived and 25 years following Kirk’s birth, is still seeking to exact revenge upon Spock.
Screenwriters Roberto Orci and Alex Kurtzman managed to pen a solid adventure filled with time travel, plenty of action and strong characterization. Which is not surprising, considering that the story strongly reminded me of the Season Four episode from ”STAR TREK: VOYAGER” (1995-2001), (4.08-4.09) “Year of Hell”. But there were differences. Whereas ”Year of Hell” dealt with the moral ramifications of time travel, ”STAR TREK” merely revealed what happened after the timeline was changed. After all, it is more action oriented than the majority of ”TREK” episodes. I had no problems with that. Somewhat. But this slight difference deprived the movie of the depth found in ”Year of Hell”. And I did have problems with other aspects of Orci and Kurtzman’s script.
First of all, James Kirk’s rapid ascent from senior year Starfleet Academy cadet to the captain of the Enterprise within such a short space of time seemed ridiculously unrealistic. Even for a work of fiction. I realized that Pike saw great potential in Kirk’s future with Starfleet. But to promote a cadet so high in the ranks . . . and so fast bordered on the ridiculous. I also had a problem with Nero’s desire to exact revenge upon Spock. Instead of taking the opportunity to kill the Human/Vulcan hybrid in order to save his homeworld and family (which were the motivations of the villain in ”Year of Hell”), the Romulan wanted Spock to remain alive and witness the destruction of both Vulcan and Earth. Again, logic seemed to quickly disappear in what I believe to be an irrelevant plot twist.
Now, due to Nero’s presence in the 23rd century, the following happened:
*George Kirk died on the very day of his son’s birth and did not witness the latter’s graduation from Starfleet Academy.
*Kirk joined Starfleet Academy at the age of 22, instead of 17.
*Kirk became part of the same Starfleet Academy class as Nyota Uhura (Zoe Saldaña) and Leonard “Bones” McCoy (Karl Urban).
*Spock and Uhura became romantically involved during her years at Starfleet Academy.
*Both Hikaru Sulu (John Cho) and 17 year-old Pavel Chekov (Anton Yelchin) were already Academy graduates and Starfleet officers serving under Christopher Pike during Kirk, Uhura and McCoy’s last year at the Academy.
*Nero managed to destroy Vulcan and its inhabitants, using the same ”red matter” that the older Spock used in an attempt to destroy that supernova in the year 2258.
*Spock’s mother, Amanda Grayson (Winona Ryder), was killed during the destruction of Vulcan.
Ironically, the movie ended with these changes in the ”TREK” universe still in place. Most fans might not have a problem with this. When it comes to time travel stories, they seemed to have a problem with the plot device known as ”the reset button”. Many fans certainly bitched a lot when this plot device was used at the end of ”Year of Hell”. Not only have I never had a problem with ”the reset button” plot device, I was not particularly happy that Abrams and the screenwriters failed to use it at the end of ”STAR TREK”. I do wonder if he or the next director plan to finally use it in the much ballyhooed sequel. I hope so. Because I do not exactly find this altered timeline particularly appealing. Especially since it featured the too rapid ascent of Kirk’s Starfleet career and Amanda Grayson’s premature death. I had feared that the movie would also affect another ”TREK” character – namely Lieutenant-Commander Tuvok (portrayed by Tim Russ) from ”VOYAGER”. Fortunately, Tuvok had been born on a Vulcan colony and not the planet, itself.
One last problem I had with the script’s altered timeline was the Spock/Uhura romance. Abrams and the screenwriters had decided to include this little romance, due to their discovery that Uhura once had a romantic interest in Spock in the early episodes of ”THE ORIGINAL SERIES”. If I must be frank, this new Spock/Uhura pairing lacked chemistry. Period. Neither Quinto or Saldaña are to blame. Both had the bad luck to attempt to create romantic chemistry between two characters that are basically introverted. They simply lacked balance as a couple. On the other hand, Saldaña and Pine were like a basket on fire in the scene that featured Kirk’s attempt to seduce Uhura upon their first meeting at a bar in Iowa.
The movie’s true strength seemed to be the characters originally created by Gene Roddenberry, and the new cast of actors hired to portray them. Both Chris Pine and Zachary Quinto did excellent jobs in creating the genesis of the Kirk/Spock friendship. They also managed to re-capture the essence of both characters without parodying William Shatner and Leonard Nimoy’s past performance. Zoe Saldaña’s Nyota Uhura seemed a little more fiery than Nichelle Nichols’ interpretation, but I thought she was great as the Communications officer. Her only misstep was that she had been forced to attempt some kind of romantic chemistry with Quinto. And as I had stated earlier, both were doomed to fail, due to the characters they were portraying. And so was Karl Urban as Leonard McCoy. Granted there were moments when he seemed to be aping DeForrest Kelly, but I had enjoyed his performances so much that I tolerated those moments. John Cho was deliciously cool and slightly sardonic as Sulu. And I thought it was a great touch that the screenwriters remembered Sulu’s penchant for fencing . . . and used it in a great fight scene. Anton Yelchin made a charming and energetic Chekov with probably a more authentic Russian accent than Walter Koenig. However, I found his role as a 17 year-old commissioned Starfleet officer rather questionable, considering that Chekov has never been portrayed as some kind of ”boy genius” like Wesley Crusher. I hate to say this, but I found Simon Pegg’s interpretation of Montgomery “Scotty” Scott disappointing and rather annoying. Pegg tried to infuse the character with a lot of broad humor. Unfortunately, it turned out to be too broad. His Scotty was so over-the-top that I found myself longing for another character to shoot him with a phaser.
I had seen ”THE ORIGINAL SERIES” first pilot, ”The Cage” only once in my life. Which means I have vague memories of the late Jeffrey Hunter’s portrayal of Christopher Pike, Kirk’s predecessor aboard the Enterprise. However, I thought that Bruce Greenwood’s portrayal of Pike in the movie to be definitely memorable. Clifton Collins Jr. gave admirable support as Nero’s henchman, Ayel. Both Winona Ryder and especially Ben Cross were believable as Spock’s parents – Amanda Grayson and Ambassador Sarek. I would not exactly call Nero one of the best villains in the TREK franchise. But I must admit that Eric Bana had given it his all with a performance that infused the character with a great deal of passion, malice and complexity without going over-the-top. Last, but not least, there was Leonard Nimoy portraying the late 24th century Spock. There were times when Nimoy seemed to be struggling with the role due to his age (he was at least 77 years old when the movie was filmed). Fortunately, these moments were very few and his Spock was a warm and more matured character who finally seemed to be a peace with his mixed heritage.
Daniel Mindel’s cinematography, along with the visual and special effects featured in the movie seemed pretty solid. However, I found nothing memorable or exciting about them. If the movie does manage to earn Oscar nominations, I will be very surprised. On the other hand, I rather liked Dawn Brown and Kevin Cross’ set designs – especially their work on the Enterprise. A good number of fans have complained that they were not an exact replica of the Enterprise’s interiors from the series. Frankly, I prefer these new interiors. As for Michael Giacchino’s original score . . . I have no memories of it. I found it that forgettable.
In the end, ”STAR TREK” is a pretty solid action film that is sure to provide a great deal of entertainment for moviegoers, this summer. It is not the best ”TREK” film I have seen. I believe that "STAR TREK III: THE SEARCH FOR SPOCK", "STAR TREK IV: THE VOYAGE HOME” and ”STAR TREK: FIRST CONTACT” are better. And as much as I liked Orci and Kurtzman’s script, I had a few problems with their handling of the time travel aspect of the story, along with the backgrounds of characters like Kirk and Chekov, along with the Spock/Uhura romance. And the story seemed like a slightly inferior remake of the ”STAR TREK VOYAGER” episode, ”Year of Hell”. But the cast, led by Chris Pine and Zachary Quinto, was first-rate, aside from Simon Pegg’s hammy performance. And in the end, I would say that J.J. Abrams . . . did a pretty good job.
Below is a gallery from the new Marvel movie, "X-MEN: Wolverine". Directed by Gavin Hood, it starred Hugh Jackman, Liev Schreiber and Danny Huston:
"X-MEN ORIGINS: Wolverine" Photo Gallery
Within a few months, I managed to become a big fan of the AMC series, ”MAD MEN”. I became a fan so fast this past summer that after watching two episodes of Season Two, I purchased a copy of the DVD set for Season One. And fell deeper in love. As for Season Two, I thought it was excellent. In fact, I consider it a slight improvement over Season One. But . . . I do have some quibbles about it:
"MAD MEN" Season Two Quibbles
1. Duck Phillips - I had once complained on the "Basket of Kisses" site that by the end of Season 2, Duck Phillips (portrayed by the superb Mark Moses) seemed to resemble a minor villain that Don Draper had to defeat. Someone responded that Matt Weiner never intended to portray Duck Phillips as some kind of villain. After reading two interviews that Weiner had given, I now see that I had been right to accuse him of such a thing in the first place. How disappointing.
2. Don's Approval For Pete - Why did Pete Campbell need Don Draper's approval? What on earth for? Pete is a grown man in his late 20s. His existence at Sterling Cooper should have meant more to him than acquiring the approval of someone as flawed as Don. He did not need Don's approval. He did not need anyone's approval to exist. And the fact that he gave up a promotion to snitch on Duck - all for Don's approval - makes me realize that Pete has not matured one bit.
3. Bobbie Barrett - Matt Weiner's comments about Bobbie Barrett made me realize a few things about the show's fans. Judging from the comments I have read about Bobbie over the past few months, I get this feeling that most fans viewed Bobbie's sexual desires and aggressive personality in the same manner that Joan's fiancé, Greg, had viewed Joan's sexual history. And since these fans certainly could not drag Bobbie to the floor and rape her, they resorted to calling her every bad name in the book and then some.
After 46 years, our society has barely changed. It seems as if even in the early 21st century, we have maintained a whore/Madonna complex about women. Even Weiner labeled Bobbie as ”that woman” in his interviews about Season Two. He also claimed that it had been wrong for Don to sleep with Bobbie. I do not understand this comment. What was Weiner trying to say? That it was it wrong for Don to have sex with Bobbie and not wrong for him to cuckold Betty with women like Rachel Menken, Midge Daniels and Joy?
4. Paul Kinsey and Sheila White - What on earth happened to the storyline featuring Paul Kinsey’s romance with Sheila White? The season’s second episode - (2.02) “Flight 1” - reveals that Paul is involved in a romance with an African-American woman named Sheila White. This revelation causes a rupture in Paul’s friendship with Joan Holloway, when the latter makes racist comments about the romance. Two episodes later, the romance is hinted again when a visiting Sally Draper finds a photo of Sheila on Paul’s desk. In the episode (2.10) “The Inheritance”, Sheila makes another appearance on the show. She and Paul have a fight over his reluctance to join her in Mississippi for a voter’s registration campaign. He eventually joined her after being pushed out of a trip to California by Don Draper. When Paul returned to New York in (2.13) “Mediations in an Emergency”, Paul informed his co-workers that Sheila had dumped him after three days.
All I can say is this - WHAT IN THE HELL HAPPENED? What led Sheila to finally dump Paul? Unfortunately, Weiner never revealed her reason. He simply ended the romance on a vague note. What makes this move even more annoying to me is the fact that many fans did not question the vague manner in which the romance ended. Instead, they crowed that Sheila had dumped Paul because of his pretentiousness.
One aspect of good cinematic storytelling is that one should ”show” what happened and not tell. Weiner ”told” the viewers what happened to Paul and Sheila . . . and he failed to tell the entire story. This makes me wonder if Weiner had decided not to continue exploring Paul’s relationship with Sheila in order to please the fans. If most of them had defended or made excuses over Joan’s racist comments about the pair’s romance, it really is not that hard for me to come up with this possibility.
5. Peggy Olson’s Meteoric Rise - Could someone please explain how a young woman between the ages of 20-22 or 23, managed to rise from a secretarial school graduate/secretary to the senior copywriter for Sterling Cooper in less than two years? I realize that Peggy was a natural talent in the advertising business. Both Freddie Rumsen and Don Draper recognized this. And I had no problem with Don promoting her to junior copywriter in the Season One finale - (1.13) ”TheWheel”. But what on earth made him promote her to senior copywriter around the end of Season Two’s (2.09) “Six Months Leave”?
One, Don was rather peeved that Peggy had failed to inform him about Freddie Rumsen’s drunken “accident”. And two, there were other copywriters at Sterling Cooper who were capable of assuming Freddie’s position as the senior copywriter. Who? Well, there was Paul Kinsey. I realize that Paul’s pretentiousness and romance with Sheila White made him unpopular with many fans. But Season Two also proved in the episode, (2.06) “Maidenform” that he was just as talented as Peggy. He also has more experience than her, which would have made him the perfect candidate to replace Freddie. Personally, I believe that Don had allowed his mentoring of Peggy to get the best of him and promoted her at a time when she did not really deserve it.
* * * *
Aside from the above quibbles, I thought that Season Two of ”MAD MEN” was excellent. I would go as far to say that it was actually an improvement over Season One. I would be very surprised if it ever failed to earn an Emmy nomination for Best Drama, next August.
Below is my review of the new political thriller, "STATE OF PLAY", starring Russell Crowe and Ben Affleck:
”STATE OF PLAY” Review
Aside from the Liam Neeson thriller, ”TAKEN”, I must admit that I have not found the movies released during the past three months that impressive. They have not been terrible. But I have harbored this feeling that I have been wallowing in a sea of mediocrity lately. Thankfully, this ended when I finally the new political thriller directed by Kevin Macdonald called, ”STATE OF PLAY”.
Based upon the critically acclaimed 2003 British miniseries of the same name, ”STATE OF PLAY” is about a Washington D.C. newspaper's investigation into the death of a young congressional aide named Sonia Baker (Maria Thayer) and centers around the relationship between leading journalist Cal McAffrey (Russell Crowe) and his old friend Robert Collins (Ben Affleck), a U.S. congressman on the fast track and Baker’s employer. When Congressman Collins learns of his aide’s death, he asks his old friend, McAffrey to investigate her death when it is labeled as a suicide. McAffrey and a blogger with his newspaper named Della Frye (Rachel McAdams) not only learn that Baker was Congressman Collins’ mistress, but there might be a connection between her death and the private military company that the congressman was investigating.
I have heard a few proclaim that the original British miniseries is superior to this version. If so, then it must have been one hell of a production. I have never seen the miniseries, but I must admit that I found this version of ”STATE OF PLAY” to be very impressive. Kevin Macdonald’s solid direction screenwriters Matthew Michael Carnahan, Tony Gilroy, Peter Morgan, and Billy Ray created a tight thriller filled with interesting glimpses into the press and Washington politics. I doubt that this film will ever be critically acclaimed like the British miniseries or earn any award nominations, but it was a solid, well-acted movie filled with first-rate performances. And its story – unlike previous movies I have recently watched – did not end on a disappointing note. The movie ended with an unexpected twist that surprised me.
Russell Crowe led the cast, portraying Washington Globe journalist, Cal McAffrey. I would not consider his role as interesting as the Ed Hoffman character from ”BODY OF LIES”, Bud White in ”L.A. CONFIDENTIAL”, Jeffrey Wigand in ”THE INSIDER” or his Oscar winning role in ”GLADIATOR” - Maximus Decimus Meridius. His Cal McAffrey is on the surface, an affable, yet slightly jaded reporter who becomes a relentless truth-seeker when pursuing a special story. In the case of Sonia Baker, McAffrey’s relentless investigation seemed rooted in his desire to extract his friend Collins from the gossip slingers over the latter’s affair with the aide and focus upon bringing down the private military company being investigated by Collins. Crowe is at turns relaxed and at the same time, intense and single-minded in his pursuit of journalistic truth.
Several years ago, I had found myself thinking that if there was ever a remake of the 1950 classic, ”SUNSET BOULEVARD”, who could portray the doomed Hollywood screenwriter, Joe Gillis. The first person that immediately came to my mind was Ben Affleck. Actress Nancy Olson once described William Holden at the time that particular movie was filmed as the typical handsome Hollywood leading actor . . . but with a touch of corruption that made his Joe Gillis so memorable. Frankly, I could say the same about Affleck. I saw him display this same trait in movies like ”BOUNCE” and ”HOLLYWOODLAND”. And I could see it in his performance as Congressman Robert Collins. Affleck managed to skillfully project Collins not only as a dedicated crusader who is determined to bring down the private military company with a congressional investigation, but also a flawed man who became sexually attracted to his beautiful aide, while struggling to control his anger at the knowledge of his wife Anne’s (Robin Wright Penn) past affair with McAffrey.
The rest of the cast included Rachel McAdams’ solid portrayal of a popular blogger turned junior political reporter named Della Frye, who finds herself in the midst of the career-making story and mentored by McAffrey. Helen Mirren’s Washington Globe editor Cameron Lynne is wonderfully splashy and strong, without being over-the-top. I could say the same for Jason Bateman’s performance as a bisexual fetish club promoter named Dominic Foy, who has the information that McAffrey and Frye need. Michael Berresse portrayed a mysterious hitman named Robert Bingham and he does a pretty good job. However, I must admit that I found his performance as a sociopath a little over-the-top . . . especially in his last scene. Although not as memorable as some of the other supporting cast, both Harry Lennix as a Washington D.C. cop and Jeff Daniels as Affleck’s congressional mentor gave solid support to the movie. And there is Robin Wright Penn, who portrayed the congressman’s wife, Anne Collins. Penn gave a complex performance as the politician’s wife who is not only hurt and betrayed by her husband’s infidelity, but wracked with guilt over her own past indiscretion with McAffrey, along with desire for him.
If you are expecting ”STATE OF PLAY” to be the next ”ALL THE PRESIDENT’S MEN” or ”SEVEN DAYS IN MAY”, you are going to be slightly disappointed. I have seen better quality political films than this movie. But I can honestly say that I still found ”STATE OF PLAY” to be a solid and entertaining movie filled with intelligence, humor and a strong and steady cast.
"A WEDDING IN FOUR ACTS"
Act III - Part 2
The Charmed Ones, along with Leo, Jason and Paul, finally arrived at the McNeill house, around twelve-thirty in the afternoon. Piper, Leo and Paul held wrapped trays of food and Davies led them to the kitchen. Paige knew she should go upstairs and check with Barbara and the other bridesmaids, but she wanted to join Phoebe (holding young Wyatt) and Jason in the garden and circulate with the other guests first.
"Hmmmmm . . . nice," the youngest Charmed One commented. "I love the way the trees are decorated with . . ." She stopped herself from mentioning the word, "Wiccan" in front of Jason.
The newspaper publisher glanced at the younger woman. "Decorated with what? Those odd symbols hanging from the tree branches? Do you know what they are?"
"Who me?" Paige quickly shrugged. "Haven't the foggiest."
Phoebe patted her boyfriend's arm with a free hand. "Probably some new design for Japanese lanterns or something. I like it."
"Yeah, I guess it's not bad." Jason glanced around, looking uneasy. "God, I never thought I would set foot in this place, again."
A fourth voice added, "That's exactly what I was thinking. Hello Jason." Jack McNeill appeared before the trio.
Jason immediately stiffened. "Jack, it's good to see you, again."
"I'm surprised that you're here. Who invited you?"
After a brief pause, Jason replied, "Uh, the groom. Bruce invited me."
Blue-gray eyes scrutinized the younger man. "Now I remember. Bruce told me that you had changed your mind about your paper doing an article on the Golden Horn. Pretty decent of you." Mr. McNeill's eyes fell upon Wyatt, wriggling in Phoebe's arms. "And who is this young fellow?"
"Wyatt," Phoebe replied breathlessly. "This is Piper and Leo's son."
Mr. McNeill bent down to tickle the baby's chin. Wyatt broke into a wide grin. "He's a charmer," the McNeill patriarch added. "How old is he now? About two months?"
Phoebe said, "That's right. His Wi . . . uh, christening will be held during the first week of May. Next week."
"Yeah, we got our invitations." Mr. McNeill continued to tickle Wyatt's chin.
Jason added, "I hope I'll make it back in time. I'm supposed to be leaving for Hong Kong, tonight. Just for a few days."
"Yeah, I heard about your purchase of Imaton Communications," Mr. McNeill said. "Congratulations."
A pleased smile appeared on Jason's face. "Yeah, I've been negotiating for the company for nearly a . . ."
Mr. McNeill directed his gaze behind Jason's shoulder. "Well, look who's here! Cole! Andre! Over here!" Jason looked embarrassed by the older man's interruption. Phoebe looked as if she wanted to hide.
Paige greeted the half-daemon and the Vodoun priest, as they approached the other four. She also noticed how Phoebe's eyes widened at the sight of Cole's handsome companion. For once, the middle Halliwell seemed unaware of her ex-husband's presence.
Cole became the first to greet the others. "Hey Jack! I see that the wedding is almost in motion. Everything looks lovely."
"Congratulate Gwen and my mother," Mr. McNeill said, shaking Cole's hand. "They had literally taken over the house, this past week." He faced Andre Morrell. "Andre, I see that you made it here, okay. Were you able to pick up Eric?"
Andre nodded. "He was ready and waiting for me, when I arrived."
Mr. McNeill added, "Eric Grant is the . . ." He glanced at Jason. "He's the one who'll be conducting the wedding ceremony. Oh, and I guess that you ladies haven't met Andre, yet."
"I have," Paige said. "Yesterday. He and Cecile helped Piper and me prepare P3 for the bridal shower."
Andre smiled at the youngest Halliwell. "Nice to see you, again." He turned to Phoebe. "And you are . . .?"
"Phoebe Halliwell," Paige's sister replied.
Dark brown eyes widened in surprise. "Oh, so you're Cole's ex." Phoebe's cheeks turned red. Jason's mouth tightened. "It's nice to finally me you. Cole has told me all about you."
"He did?" Phoebe shot uneasy glances at Cole.
The half-daemon spoke up. "Andre and I are old friends. Hell, we've known each other for over ten years."
It finally dawned upon Paige. "That means you two have known each other since you both . . ." Aware of Jason's presence, she finished lamely, ". . . since both of you were in college, huh?"
Jason frowned. "Just over ten years ago? I thought . . ." Both Cole and Andre stared at him. He shook his head. "Nothing."
Andre said to Jason, "I believe we met, last night. Jason, right?"
"Yeah," Jason said with a nod.
Phoebe added, "Jason owns the newspaper that I work for. The SAN FRANCISCO BAY-MIRROR."
"Really?"
Mr. McNeill took control of the conversation. "By the way, Jason, do you mind if we have a private talk? Business." He placed a hand on the young publisher's shoulder and led the latter away from the others.
Once the two men disappeared, Paige turned to Andre. "You're the Vodoun priest who used to be a bokor, right? So that means you and Cole . . ."
"First met when we both walked the path of darkness and evil," Andre finished with a grin. "We met at a party in New Orleans.
Paige continued, "Do you have any powers? Like the rest of us?"
"You mean psi powers?" Andre asked.
Phoebe frowned. "Psi powers? I thought only normal people . . ."
"A lot of people have them," Andre said, interrupting Phoebe. "Whether we practice magic, or not. You know, stuff like telekinesis, premonitions, telepathy. They're all psychic abilities."
Paige added, "That's right. Olivia's grandmother once told me that our real talent for practicing magic lies within using spells, potions and stuff like that."
"Wait a minute!" Phoebe protested. "Are you serious?"
Cole said, "Paige is right. Although a lot of daemons in the Underworld possess psi powers, there are a lot of them who aren't really versed in the practice of magic."
Andre continued, "You see, real magic is centered around potions, spells, and incantations. We use nature, or call upon spirits or gods to tap into magic. Now, as for my psi powers - well, I'm a tetrakinetic. And I also have atmoskinesis."
"Huh?" A confused Paige frowned at the former bokor.
Cole replied, "That means, Andre has the ability to control earth. Tetrakinetic. He's also an atmoskinetic, which means he has control over different elements like fire, ice, water, the air, electricity . . . well, you know what I mean."
"Gee!" Paige declared. "That's a hell of a lot!" From the corner of her eye, she spotted a brunette woman waving at the group. "Does anyone know that woman?"
Cole sighed. "Uh, that's Veronica," he said. "My date." He coughed slightly. "Excuse me." Then he walked away and toward the other woman.
Paige and Phoebe continued to stare at Cole's date. The former commented, "Hmmm, not bad. I wonder if Olivia has seen her."
"So what if she has?" Phoebe protested. Irritation gleamed in her eyes. "Besides, I thought that Olivia was interested in Paul."
Paige shrugged. "Maybe. But after she finds out about Cecile's vision, I don't know if that still might be true."
A deep silence followed. Phoebe gave the younger woman a confused stare. Andre seemed to be holding his breath. And Paige realized that she had just committed a faux pas. "What vision?" Phoebe asked.
Andre said at the same time, "Cecile told you about her vision?"
"You know?" Paige shot back. Of course he did. She should have realized from the expression on Andre's face.
The houngan replied, "Yeah. She told me the morning after she met this Paul character."
"Okay . . . everyone!" Phoebe's voice drew stares from nearby bystanders. She blushed and continued in a softer tone, "When did Cecile have a premonition? And what does it have to do with Paul?"
Paige glanced uneasily at Andre, who shrugged. Then she answered Phoebe's question. "Cecile had her premonition when she first met Paul, on Wednesday night."
"She had a vision of Olivia killing Cole," Andre finished.
Shock reflected in Phoebe's eyes. "Olivia will kill Cole? How . . . how is that possible? No one can kill Cole. He's too strong. We couldn't kill Barbas with the Power of Three, when he had . . ."
"Yeah Pheebs, I know," Paige said, interrupting. "But Olivia did managed to kill Cole in Cecile's vision. I saw it, myself."
Shaking her head, Phoebe demanded, "But how? Why?" Realization lit up her eyes. "Ohmigod! Cole is gonna become evil, again! Isn't he?"
Andre stared at the middle Halliwell with something akin to contempt. "Now what makes you think this means Cole will 'turn evil'? What if this has something to do with Margolin? Or whatever his name?"
"Paul is a witch," Phoebe declared emphatically. "And a good one, I might add."
Andre's lips formed a sneer. "Really? Where I come from - that doesn't mean shit. We don't know why Cecile got the vision, while shaking the hands of Glinda the Good Witch's son. But something tells me that might not prove to be the innocent in all this."
Phoebe opened her mouth to protest, but Paige spoke first. "He might have a point, Phoebe. I mean, don't you find it strange that Cecile would have a premonition of Cole's death by shaking Paul's hand?"
An exasperated gasp left Phoebe's mouth. "I can't believe this! I can't . . . never mind! You know what, Paige? If you want to believe that Cole will turn out to be an innocent in this . . . go ahead. But if I were you, I'd tell Olivia. Unless Cecile already has. However, I plan to tell Leo and Piper." She glared at the other two and walked away.
Silence fell between the witch and the houngan. Paige glanced at Andre, who regarded her with reproach. An uneasy smile touched her lips, as she asked, "Did I just fuck up?" Andre's continuing silence answered her question.
-------------
The gray van marked MORGAN'S, turned left into the McNeill driveway and stopped in front of a high, black iron gate. The driver leaned out of the window and punched the gate's intercom box.
"Yes?" a voice from the intercom demanded.
The driver replied, "I am from Morgan's." He spoke with a slight foreign accent. "I am here to deliver a wedding cake."
"One moment." The iron gate swung open. "You may enter," the other voice continued. "The servant's entrance is on the east side."
"Thank you." Giancarlo sat back into the driver's seat, wearing a smug smile. He drove the van past the gate and followed the driveway toward the large, three-story Spanish-Colonial house. The van finally reached the servant's entrance and stopped.
The van's back doors swung open. Two people - a man and a woman dressed in waiter uniforms, jumped out. They walked over to the driver's side. "Alessandro, Talia," Giancarlo said to the pair, "the greenhouse should not be far from here. According to the Streghone, there you will find the Soma plant."
"Anything else?" Alessandro asked.
Giancarlo answered, "Yes. Try not to use any magic. The Padronessa has no idea how effective is the protection spell around the house. She is trying to counter the spell."
The two daemons nodded and headed toward the house. The service entrance door opened and a tall, thin man wearing a butler's uniform, appeared in the doorway. "Are you the driver from Morgan's?" He spoke with a British accent.
"Yes," Giancarlo politely replied. "The wedding cake is in the back. Shall I help you?" He smiled at the manservant and climbed out of the van.
-----------
Inside one of the bedrooms, Claudia was occupied in creating a spell to counter the protection spell around the McNeills' house. Dressed only in white lingerie and stockings, she stood in the middle of the room with her eyes closed and began to chant in Latin:
"The god, Faunus, hear my plea,
I summon thee to this plane to help me.
Erase the strength of the mallow that surrounds this house,
And allow the magic of Della Scalla to flourish within."
A heavy breeze swirled around Claudia, scattering loose objects around the room. She opened her eyes, walked over to the windowsill and smiled. The sprig of mallow on the windowsill had dried up. Which could signify that the protection spell had disappeared. To test her theory, she teleported out of the bedroom in a cloud of smoke. Seconds later, she reappeared. The spell worked!
"Leonardo!" she hissed. "Leonar. . ."
Claudia broke off, as the door swung open. In walked the young Vodoun priestess and an older version of the red-haired witch. Claudia concluded that the latter must be Gweneth McNeill. "Good heavens!" the older woman declared. "Barbara, you're not dressed! And the ceremony starts in less than forty minutes."
"Sorry," Claudia murmured. "I'm a little nervous right now, and I've been trying to calm myself. But I still managed to do my hair."
Cecile added, "I'll help you get dressed, cherie."
"Oh, that's . . ."
The McNeill witch spoke up. "That sounds like a marvelous idea. Meanwhile, I will check on the food for the reception. The wedding cake has just arrived." She disappeared, leaving Claudia alone with the priestess.
"By the way," Cecile commented, as she walked over to the bed, "I want to thank you for showing good fashion sense in your selection of the bridesmaids' gowns. We all thought we would end up in some hideous outfit."
Claudia noticed the bridesmaid gown that Cecile wore - a light, peach-colored long dress with a square bodice and spaghetti straps. Very simple and tasteful. She smiled wanly. "You're welcome."
"Say honey, why don't you let me help you get into this dress. Here." Cecile held up a cream-colored dress with a halter top. "Step into this." While holding on to Cecile's shoulder, Claudia stepped into the long gown. She stood still, while the other woman slid it upward until Claudia was able to slip her arms through the straps. "There!" Cecile commented with an air of satisfaction. "Turn around and let me zip it up." Once they finished, the Vodoun priestess examined Claudia with admiring eyes. "Now, don't you look lovely! All you need to do is put on your shoes and get your corsage."
Claudia glanced around the room, searching for the latter. "The corsage is somewhere around . . ."
"It's in the greenhouse," Cecile said. "Olivia's mother thought it would be best to keep it fresh there, instead of the fridge. I'll get it."
"No!" Claudia cried out, remembering that two of her minions should be there, searching for the Soma plant. "I mean . . ."
Cecile frowned. "What's wrong?"
"I . . . why don't you get one of the servants . . . what's his name?"
"Davies," Cecile replied quietly. "You really must be nervous, if you can't remember his name."
A heavy sigh left Claudia's mouth. "I must be. Anyway, why don't you let him get the corsage?"
"He's probably busy in the kitchen. I'll get it." Cecile started toward the door.
Claudia's first instinct was to stop the Vodoun priestess with an energy ball. Until she remembered that she could not afford to have a senior bridesmaid disappear before the wedding. That would upset her plan. So would Cecile snooping around the greenhouse. Of course, she could get one of her minions to impersonate the Vodoun priestess. Unfortunately, by the time Claudia had made up her mind to kill Cecile, the latter had left the bedroom.
Cursing out loud, Claudia summoned one of her henchmen. "Leonardo! Come here! Now!"
The younger daemon materialized in the middle of the bedroom. He gazed upon his mistress with open admiration. "La signorina es bellisima!"
"Never mind that!" Claudia growled. "We have a problem! That Vodoun bitch is headed for the greenhouse. Send Giancarlo to warn Talia and Alessandro. Or do it yourself. Tell them to hurry up and find that plant!"
Nodding, Leonardo replied, "Si, Padronessa!" and disappeared. Claudia heaved another sigh, as she fought down a surge of anxiety. Then she leaned down, picked up her shoes and proceeded to don them.
END OF ACT III - Part 2
Below are photos from the new political thriller directed by Kevin MacDonald. It stars Russell Crowe, Ben Affleck, Rachel McAdams, Robin Wright, Harry Lennix, Jason Bateman, Jeff Daniels and Helen Mirren:
"STATE OF PLAY" Photo Gallery
Below is my review of the 1989 miniseries, "AROUND THE WORLD IN 80 DAYS":
”AROUND THE WORLD IN 80 DAYS” (1989) Review
I have seen at least three full versions of Jules Verne’s 1873 novel, ”AROUND THE WORLD IN 80 DAYS”. And if I must be frank, I have yet to see a version that I would consider to be flawless or near flawless. But if I had to choose which version would rank as my favorite, it would be the three-part miniseries that aired on NBC in 1989.
Directed by the late Buzz Kulik, this version of Jules Verne’s novel starred Pierce Brosnan as the globe-trotting Phineas Fogg. ”MONTY PYTHON” alumni Eric Idle co-starred as Fogg’s French manservant, Passepartout; Julia Nickson portrayed the India-born Princess Aouda; and the late Peter Ustinov was the English detective who was convinced that Fogg had robbed the Bank of England, Detective Fix. The story started with a conversation between Fogg (Brosnan) and three fellow members of the Reform Club (Christopher Lee, Patrick Macnee and Simon Ward) in 19th century London about the technological advances in transportation in the past thirty to forty years. This leads Fogg to make a wager for twenty-thousand pounds (£20,000) that he could travel around the world in eighty (80) days or less. During the same day, a thief robs the Bank of England and all suspicions point to Fogg, who is identified by a bank employee as the robber.
Wentworth (Robert Morely), an official from the Bank of England and his assistant McBaines (Roddy MacDowell) dispatch private detectives to various ports throughout Europe to find Fogg and have him extradicted back to England. One of the detectives include Fix (Ustinov), who is sent to Brindisi, Italy. Unfortunately, Fix spots Fogg and Passepartout boarding a steamer bound for Suez and Bombay a minute too late and is forced to follow them on their trek around the world. Upon Fogg's arrival in India, one last member joins his traveling party when he and Passepartout (actually, Passepartout) rescue a recently widowed Indian princess from a suttee funeral pyre.
Like its 1956 predecessor, this version of "AROUND THE WORLD IN 80 DAYS" turned out to be longer than necessary. The miniseries could have easily been a two-part miniseries or a 135-minute television movie. Unfortunately, John Gay filled his screenplay with unecessary scenes and dialogue that merely served as fillers to justify a three-part miniseries. In Part I, Fogg and Passepartout's adventures in France lasted longer than necessary - especially after they met a balloonist named Gravier and his mistress, Lucette. Even worse, viewers have to endure Fogg and Passepartout's balloon journey from France to Italy - which included a period that the heroes found themselves stranded in the Italian Alps. Part II included scenes that featured Fogg, Passepartout and Aouda's adventures with a Burmese prince and the bandits that kidnapped all of them; and Fogg, Aouda and Fix's encounter with the Empress of China and her son, the Emperor. I realize Gay also added these scenes to make Fogg's journey around the world more interesting. Unfortunately, they failed to interest or impress me.
Another problem I had with Gay's script turned out to be a major blooper that involved Fogg's encounters with the famous bandit, Jesse James (Stephen Nicols). Following Fogg's first encounter with James in San Francisco; he, Aouda, Passepartout and Fix boarded an eastbound train for Omaha. By some miracle, Jesse James and his brother Frank managed to catch up with this train somewhere on the Great Plains (probably in Nebraska), where Jesse boarded said train before the second encounter with Fogg. How was this possible? Fogg's train should have traveling eastbound for at least a day or two before James boarded it. There is NO WAY that the bandit could have caught up with that train. Gay should have allowed the James brothers or Jesse board the train in Oakland, along with Fogg and his party. Sloppy writing. And some of the dialogue featured in the miniseries seemed ladened with pedantic and half-finished sentences and unecessarily long pauses that seemed to serve no other function than to act as fillers to stretch the story.
One might wonder how I can view this version of "AROUND THE WORLD IN 80 DAYS" as my favorite, considering the above criticism. But despite the flaws, I must admit there were many aspects about the miniseries I found enjoyable. John Gay's screenplay did not turn out to be a total loss. In fact, the number of gems in the story seemed to outweigh the flaws. I especially enjoyed the following:
*Fogg and Passepartout's charming encounter with actress Sarah Bernhardt (portrayed by a still sexy 54 year-old Lee Remick) at Dover
*Fogg and Passepartout's hilarious adventure at a Parisian bar
*The steamship journey from Brindisi to Suez that featured Fogg's encounter with Egyptian stonecutters and Fix's hilarious encounter with a Turkish prisoner willing to offer himself to help the detective pass the time
*Princess Aouda's rescue
*Fogg, Aouda and Fix find themselves shipwrecked on the China coast
*Fogg's first encounter with Jesse James at a San Francisco ball
*Fogg and James' duel on the Omaha-bound train
One particular scene I truly found enjoyable was Fogg and Aouda's hilarious and unsuccessful attempt to stowaway aboard Cornelius Vanderbilt's (Rick Jason) Europe-bound yacht. It was never featured in the novel or the 1956 movie. Too bad. I thought it was one of the best written scenes in the miniseries.
And it was Pierce Brosnan's performance as Phileas Fogg that really made that last scene a comic gem for me. Which is not surprising, considering he has turned out to be my favorite Fogg. Sorry Mr. Niven and Mr. Coogan, but I feel that Brosnan's portrayal has the other two beat. He managed to combined the best of the other two actors' performances to create the most emotionally rounded Phileas Fogg. He managed to perfectly convey the angst of Fogg's tendencies to suppress his emotions with some great comic timing.
Speaking of comic timing, Eric Idle's timing was effectively on display in some of my favorite scenes. Granted, I found his French accent rather questionable. But Idle more than made up for it in some very hilarious scenes. One featured his reaction to being attacked by a French thug at the Parisian bar and another a drunken moment shared with Fix at a Hong Kong tavern. But my favorite Idle moment centered around his reaction to a questionable meat pie purchased by Fogg on the Omaha-bound train in probably the funniest line in the entire miniseries.
Julia Nickson was both charming and amusing as the very brave Princess Aouda. Her Indian princess provided the miniseries with some deliciously angst-filled moments that allowed Aouda to question Fogg about his habit of suppressing his feelings from others. Nickson's Aouda also provided the miniseries with some political correct moments that were not only amusing, but well handled without being overbearing. And I simply enjoyed Peter Ustinov's performance as Detective Fix. Like Brosnan's Fogg, his Fix came off as more rounded and complex as Robert Newton or Ewan Bremmer's Fix. Without a doubt, Ustinov had some hilarious moments - especially in scenes that featured Fix's encounter with the Turkish prisoner on the voyage to Suez; and his reaction to another game of whist with Fogg. Not only did Ustinov managed to be funny, but also give Fix's character with a great deal of depth not found in other versions of the story.
I do have to say something about the supporting characters. One, I really enjoyed Robert Morely and Roddy McDowall as the Bank of England official and his assistant. Morely was a lot more amusing and fun in this miniseries than he was as the more stoic bank official in the 1956 version. And McDowall supported him beautifully. I also enjoyed the performances of Christopher Lee, Patrick Macnee and Simon Ward as the three Reform Club members who made the bet with Fogg. I especially enjoyed Lee's performance as the one member who especially found Fogg's precision and rigid habits rather annoying.
This version of "AROUND THE WORLD IN 80 DAYS" lacked Victor Young's memorable score and Lionel Lindon's cinematography. But it does possess a pleasant and catchy score written by Billy Goldenberg. And I must admit that I found myself impressed by Emma Porteus' costume design, which captured the styles of the early 1870s more effectively than the 1956 movie.
In a nutshell, the three-part miniseries is simply too long. It has scenes and some clunky dialogue that could have easily been edited. But screenwriter John Gay also provided some wonderful and effective moments in the script. Frankly, I thought the cast was top-notch - especially the four main characters led by Pierce Brosnan. And although he is not well known, I thought that director Buzz Kulik did a solid job bringing it all together. The 1956 version may have won the awards, but in my book, this 1989 miniseries remains my favorite version of Jules Verne's novel.
Ever since Oceanic Flight 815 survivor Sayid Jarrah tried to murder young Ben Linus in (5.10) "He's Our You", and fellow survivor Jack Shephard refused to operate on the 14 year-old to save his life in (5.11) "Whatever Happened, Happened", I have heard comments that compared Ben to Adolf Hitler. I have also heard comments that compared Ben’s younger self to a "young Hitler". Many people have claimed that it was Ben who had ordered the deaths of the Dharma Initiative members on December 19, 1992. However, I have my doubts.
"WHO ORDERED THE PURGE OF THE DHARMA INITIATIVE?"
According to the series, Ben has offered contradicting facts on whether he had ordered the Purge of the Dharma Initiative or not. In (3.23) “Through the Looking Glass”, he had claimed to Jack that he was responsible for the Purge:
“Not so long ago, Jack. I made a decision that took the lives of over forty people in a single day"
Unfortunately, Ben contradicted this claim in the Season 4 episode (2.11) “Cabin Fever”, when he had the following conversation with another survivor of Oceanic Flight 815, Hugo “Hurley” Reyes:
HURLEY: So... This is where you shot Locke and left him for dead, huh?
BEN: Yes, Hugo, I was standing right where you are now when I pulled the trigger. Should have realized at the time that it was pointless, but... I really wasn't thinking clearly.
[Hurley steps back a little]
HURLEY: Is that why you killed all these people, too?
BEN: I didn't kill them.
HURLEY: Well, if the Others didn't wipe out the DHARMA Initiative--
BEN: They did wipe them out, Hugo, but it wasn't my decision.
HURLEY: Then whose was it?
BEN: Their leader's.
HURLEY: But I thought you were their leader.
BEN: Not always.
Interesting. He had admitted to trying to kill John Locke. But he denied being the one who had ordered the Purge. In the final flashback featured in another Season 3 episode called (3.21) “The Man Behind the Curtain”, viewers finally saw Ben’s experiences during the actual Purge. And most of his scenes featured his last moments with his abusive father, Roger Linus:
[Ben looks at his watch]
ROGER: Why do you keep looking at your watch? You got a date? [Pauses] Listen...if it makes you feel any better, I will do my best to remember your birthday next year.
BEN: I don't think that's going to happen, Dad. [starts to unzip bag]
ROGER: What do you mean?
BEN: You know, I've missed her too. Maybe as much as you have. But the difference is, for as long as I can remember, I've had to put up with you. And doing that required a tremendous amount of patience.
[Ben pulls out a gas mask]
BEN: Goodbye, Dad.
[Ben puts it on and then releases a gas canister]
ROGER: Ben?
[Roger struggles for breath, coughing and retching as blood spurts from his nose and mouth, clawing at Ben's mask]
[At the Barracks, Ben walks with gas mask on. He sees all the DHARMA employees lining the ground, all dead. He then notices Horace on a bench, and closes his eyes. Richard and the Hostiles arrive with masks on. Richard checks his watch, then removes his mask taking a deep breath. The rest of the team follow, as does Ben]
RICHARD: You want us to, um...go get his body?
BEN: No, leave him out there.
Does this mean that Ben had ordered the deaths of the DHARMA Initiative? I do not know. The only order Ben gave in the above mentioned scene was to leave Roger’s body in the van. Following the flashback, Ben said the following to Locke:
[In real-time, Locke stands over a mass open grave full of skeletons, some still wearing their DHARMA jumpsuits]
BEN: This is where I came from, John. These are my people. The DHARMA Initiative. They came here seeking harmony, but they couldn't even coexist with the Island's original inhabitants. And when it became clear that one side had to go, one side had to be purged, I did what I had to do. I was one of the people that was smart enough to make sure that I didn't end up in that ditch.
That last passage interested me. What exactly was Ben trying to say? That he had ordered the Purge against the DHARMA Initiative? Or that he made sure that he, as a member of the Initiative, would survive the Purge? Thanks to the most recent episode of ”LOST” - ”Dead Is Dead” - viewers know that Charles Widmore was the leader of the Others in 1988. And in another Season Four episode called (4.09) “The Shape of Things to Come”, viewers learned in a flash forward that Ben had taken the leadership of the Others away from Widmore:
WIDMORE: I know who you are, boy. What you are. I know that everything you have you took from me. So... Once again I ask you: Why are you here?
BEN: I'm here, Charles, to tell you that I'm going to kill your daughter. Penelope, is it? And once she's gone... once she's dead... then you'll understand how I feel. And you'll wish you hadn't changed the rules.
[Widmore shifts in his bed.]
WIDMORE: You'll never find her.
[Ben turns to leave.]
WIDMORE: That island's mine, Benjamin. It always was. It will be again.
So, when did Ben Linus replace Charles Widmore as leader of the Others? Before December 19, 1992? Or after? The photograph below from ”The Man Behind the Curtain” hints that Ben was still a worker for the DHARMA Initiative during that period, despite the fact that he had been one of the Others since the 1980s:
But had Ben assumed leadership of the Others by then? If not, does that mean Charles Widmore was still leading the Others in December 1992? Both the LOSTPEDIA and the WIKIPEDIA sites claimed that Richard Alpert had led the Others in the Purge against the DHARMA Initiative. But neither site made it clear who had ordered the Purge. And ”Dead Is Dead” never gave a clear date about when Widmore was exiled off the island.
In the end, viewers know that Charles Widmore had been the leader of the Others in 1988-89, when Danielle Rosseau’s companions were killed and she gave birth to a daughter, Alex, before the latter was kidnapped by Ben Linus. Viewers also know that Richard Alpert led a group of Others in the Purge against the DHARMA Initiative on December 19, 1992. On that same date, Ben killed his father, Roger Linus, in a similar manner – toxic gas. And viewers know that Widmore was eventually replaced by Ben as the Others’ leader and exiled off the island. If we only knew when Widmore had been exiled, perhaps the mystery of who had ordered the DHARMA Initiative Purge will finally be cleared.
Below is another gallery featuring photos from one of my favorite movies of 2008. I am speaking of "SPEED RACER", which featured Emile Hirsch, Christina Ricci and Matthew Fox:
Another "SPEED RACER" (2008) Photo Gallery
